The Low-Mid Band channel's high- and low-cut filters are both engaged, and configured so the channel only focusses on frequencies between 2 Hz the other channels are set similarly. In this example, the Low Band channel's 200Hz high-cut filter limits this channel to frequencies below that cutoff point. The filters in the Pre rack are used to define which frequency range each Group track will operate upon. multiband mastering with parallel processing). The purple channels allow you to hear and/or export either just the unprocessed mix, just the mastered mix, or some blend of the two (ie. Both purple channels (the Un-Mastered Mix and Mastered Mix) feed the main stereo out. After processing, these four bands are recombined by routing them all to the purple Mastered Mix Group track. High- and low-cut filters in the Pre racks of these Groups give us multiple frequency 'bands' which can be processed independently. Note the settings in the Routing rack - this first track is routed (a) directly to the purple Un-Mastered Mix Group track and (b) via four unity gain sends to the four green Group tracks. You could approach this in various ways, but the main screenshot (of the MixConsole in Cubase Elements 9.5) shows a possible project setup, with seven stereo audio tracks plus the main stereo out.ĭIY multiband mastering is easy to set up, even in the Elements version of Cubase.The audio from your mixdown needs to be imported onto the blue Raw Mix Stereo track. And this approach can allow more complex processing in Pro too. Nonetheless, it's still easy to set up multiband processing using sends, groups and some filtering. Quadrafuzz 2, Multiband Compressor and Multiband Envelope Shaper), Cubase Artist and Elements don't. While Cubase Pro includes several multiband plug-ins (eg. But in purely practical terms it's sensible too, since the format of different mastering projects is likely to be fairly consistent, so you can save time and effort by creating a mastering template. In fact, I think they're best tackled in separate Cubase projects, and certainly at different times, so that you come to the mastering with fresh ears. In this article, I'll show you how to do just that.Įven if you plan on mixing and mastering in Cubase, it's good practice to keep these two stages of a project separate, so try to resist the temptation to mix through your mastering-style processing. What's more, any version of Cubase, from Elements to Pro, allows you to perform multiband processing - for example, separating the audio into low, low-mid, high-mid and high frequency bands, to give you greater flexibility/control. Then go to the File menu and choose Export > Audio Mixdown.How to set up a multiband mastering project template in Cubase.ĭIY mastering is a pragmatic necessity for many musicians, and while there are some great third-party software mastering products, Cubase already includes all you need to get started. Make sure the left and right locators are set around the start and end of your track. For now, go through your project one last time and double check that everything that should be switched on is on, and what needs to be off is off. You can export stems later for backup or remix purposes, using the Batch Export function. We’re also assuming you’re not taking a bunch of stems to another studio for mastering, but rather staying on your own system. Prepare for exportĪt this point in the production process you will have spent considerable time getting your arrangement and mix just right, so we’re going to assume no further tweaks to either of those things. Now all that remains is to master your track and it can be played to the world! 1. So you’ve finally got the perfect arrangement and mix. Part 2-Building Track Foundations with MIDI
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